By Anthony Ashbolt
The San Francisco Bay sector was once a gathering element for radical politics and counterculture within the Sixties. formerly there was little knowing of what made political tradition the following certain. This paintings explores the advance of a nearby tradition of radicalism within the Bay quarter, person who underpinned either political protest and the counterculture.
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Additional resources for A Cultural History of the Radical Sixties in the San Francisco Bay Area
49 Student was an important contribution to literature on the student movement and Horowitz’s later work was even more significant. 50 In the mid-1960s, having left America, he was a research director of the Bertrand Russell Peace Foundation in England. By 1968 he had returned to the San Francisco Bay Area and was an editor of the renowned radical magazine Ramparts. 52 He was, however, becoming increasingly cranky about the undisciplined adventurism and vulgar ideological contortions of some groups within the American New Left.
So, too, was local identity and sectarian fissiparousness. There is a marvellous family tree of Marxist–Leninist organizations in America which reveals a plenitude of different groups, reproducing themselves almost at will, squabbling about the correct line on everything. So when Katsiaficas, writing of the prospects for revolution in the United States stipulates ‘It would be a working-class feminist revolution against racial domination or nothing at all’,95 the latter alternative seems more likely.
59 The connections between politics and culture Go West! 35 can, indeed, be fascinating. This is demonstrated clearly by the public projects involving manual labour and art under Franklin Roosevelt. Many artists were employed by the New Deal administration in the 1930s and among their most memorable works in San Francisco are the murals in Coit Tower. 61 Needless to say, workers’ battles became a central motif for many, but by no means all, of the murals. Interestingly, the communist painters followed no national correct line.